Kálesma by K-Studio and Studio Bonarchi

In Conversation | Architects Dimitris and Konstantinos Karampatakis


What about K-STUDIO and its design approach stands out compared to other Greek architecture studios?

Konstantinos Karampatakis: Studying in London and working abroad for a while made us appreciate the beauty of Greek architecture – its intuitive shapes and the fluent manner in which interiors transition to exteriors; that goes not just for the classical world-known buildings but also the anonymous ones.

Dimitris Karampatakis: We also celebrate the ‘in-betweenness’ of space, designing ‘unfolded’ buildings where the line between inside and out is blurred. Effectively, we design blurry buildings.



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K House by Renato D’Ettorre Architects | Australian Interiors


Sustainability is the cornerstone of the pragmatics of K House.  From its materiality – concrete, painted brick, glass, marble and American oak timber – to the inclusion of measures that take maximum advantage of the home’s location, such as solar panels, a concrete roof and floor for passive heating and cooling, cross ventilation. Each element works hard to inform aesthetics as well as passive performance, right down to the garden which complements the home’s design and environmental context while extending further to cultivate edible plants year-round.

K House is a richly structured home, a haven that holistically homages its outstanding situation through every detail. It exudes a quiet luxury; one that rests in its abiding design and a propensity for understanding its profound value to its residents, context and capacity for engaging with the senses.



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In Conversation with Architects Stephen Jolson and Mat Wright


Favourite galleries or spaces?

Stephen Jolson: Neues Museum in Berlin.

Mat Wright: Museum Gipsoteca Antonio Canova in Possagno.

Where do you go to look at great design?

Stephen Jolson: I’m always referencing my design inspiration from a moment travelling. And it’s not necessarily finding design at design places. It’s about finding design through engagement with just being in the streets and some very obscure places. It’s about finding the texture from street life.

Mat Wright: I agree. I think that’s when your mind and body are the most open to seeing things – when you’re travelling. It’s the incidental moments of visiting a gallery or the interaction of eating a meal – remembering how the experience made you feel and wanting to recreate part of that in the work we do.



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Maui Residence by Walker Warner Architects | Global Interiors


The interiors, Greg says, are designed to feel warm and refined. “The clients didn’t want anything to take away from the setting, so the house is not over-furnished”. In their years together, the couple has collected one-of-a-kind art and furniture pieces, like a pair of vintage Kaspar Hamacher coffee tables.  

Walker Warner Architects have designed a home to be cherished by its owners for many years to come.



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Bassano by Tom Robertson Architects | Australian Design


With picturesque views of Red Hill’s hinterland and farm life, the latest rural accommodation by Melbourne-based Tom Robertson Architects is an ode to relaxation. The shell of the existing twin cabins has remained, with one cabin housing the living and sleeping quarters and its counterpart, the ‘artist workshop’, dedicated to creativity.

The soft exterior blends seamlessly into its surroundings, clad in pale bagged brick and timber battens. The interiors, however, tell a different story, where robust forms and industrial materiality create a bold atmosphere that ‘tickles the senses’.



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Where Architects Live | Richard Found


With an interior that is minimal but warm – often due to the natural elements such as the characterful stone and the irregular stacks of wood for the fire – it provides a context of calm. “I instantly relax upon arrival at the property. The tranquillity and isolation definitely provide the perfect backdrop conducive to creative thinking,” he says. ‘It’s the perfect place to write, paint, and design, as well as being a place where we love to entertain as a family. It is the tonic required for our frenetic lives in London.”

 

This feature originally appeared in est Magazine issue #43.



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Where Architects Live | Lachlan McArdle


When asked about his favourite space in the home, Lachlan says it’s the living room. “The volume that the double-height void creates just feels so comfortable,” he says. “The amount of light we get in the Eastern end is beautiful. Direct sunlight floods the living room, kitchen, and in winter, as far back as the dining room in the morning.” The bathtub upstairs is also another favourite spot, with the poll-shaped skylight above reflecting the shape of the bath. “At midday, the sunlight forms an arch on the tiles, reflecting the mirror adjacent,” he adds. 



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Where Architects Live | Kyra Thomas


The stripped-back material palette speaks to Kyra’s approach to design. A lover of natural light, the architect repeated a natural palette of limestone, oak, carpet and linen curtains throughout that she says combine to create a softness that offsets the minimal architectural forms. Cladding the bathroom in just one material – sand-blasted limestone – has led to an atmosphere that the architect says is both Brutalist and soft. “The bathrooms are completely spa-like with full-length skylights bringing diffuse, natural light from above,” she adds. 

Kyra says you can immediately feel the time and season in each room depending on the light quality. “There was so much light that we decided halfway through the build to remove all ceiling lights from the project,” Kyra says. “Using floor to ceiling full-width openings and carefully considered skylights – we enjoy a glorious variety of light throughout the day.” 



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Villa RS by JUMA Architects


Immersed within its natural setting, Villa RS frames views out into the Flemish Ardennes. As both an escape and a reminder of place, JUMA Architects draw from the surrounding elements and an organic sensibility to conjure a contemporary interpretation of context through the resulting materiality and palette.

Villa RS sits aligned along a north-south axis, with large panes of glass that can be opened up to allow an uninterrupted flow between inside and out. Playing an important role in the home’s narrative, the landscape, both near and far, contribute to the experience of being within the shelter of the home while emphasising its sense of calm.

The interior spaces interconnect across the site, mixing functionality and creating zones that separate passive and active areas. The connection to the surroundings remains a key focus of the home and shapes the experience of being within. Layers of textural and tonally balanced colours add depth while also binding the spaces through a commonality.

The darker encasing architectural elements are then expressed conversely with richer tones. Darkened timber and black façade features provide a protective outer sleeve for the home and are intentionally deflective toward the natural elements. The submissive sensibility ensures the greenery and long vistas into the distance remain the focus, with the home as a considered insertion among the existing.

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Textures add depth and variety to the levels of transparency throughout, allowing sculptural furniture to be showcased in the process.

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A Gervasoni Brass 95 pendant sits floating above the darkened timber dining table, facilitating reflections and adding to the mood of the space.

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Open and linear sightlines connect the interior spaces while connecting outward.

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Layering muted neutrals with refined metal elements elevate each of the spaces while allowing the landscape to remain a central focus.

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As the home sits sheltered from the street and the neighbours, an extensive garden wall creates a cocooned and private outdoor space, including the pool. The inclusion of a wood-burning stove to the north creates a dedicated outdoor space year-round, regardless of the season.

Villa RS becomes a natural and welcomes addition to place by engaging in a contemporary rhythm externally.

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The post Villa RS by JUMA Architects appeared first on Est Living | Interiors, Architecture, Designers & Products.



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Kolon Loft by Norm Architects | Global Architecture


Founded by Frits Jensen, who began inventing hinge systems, Danish cabinet makers Kolon have been creating cabinetry since 1972. The family-owned company’s work is often recognised by the signature Kolon hinge that features two exposed dots. In the bathroom, Kolon crafted a walnut cabinet that envelopes striking marble sourced from Borderstone and brass fittings from German designer DornbrachtExpressive stone counterbalances the softness of linen and leather in the bedroom, where artisanal details such as the Kolon wardrobes and window seat with drawers reflect the bathroom cabinetry. 

The collaboration between Kolon and Norm Architects also reveals itself in the study, through the recessed shelving and custom desk. “When recognising that there is no one-size-fits-all solution, that’s when everything comes together to form a balanced space; when design mirrors the architecture and vice-versa,” Jonas explains. 



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